this is the first short story that I made. ( just finish line by line thanks for read )

BER-TEPI-LAH

Ketika semuanya telah berada diujung batas kendaliku, naluri ini berkata “habiskanlah waktu yang tersisa hanya untuk bersamanya walau kau tak menginginkannya”. Hingga akhir itu telah benar datang kau akan mengerti betapa kau telah melewati waktu perpisahan dengan penuh kepastian. Terbesit semuanya tak akan pernah terjadi sampai sejauh ini, tapi berakhir dengan kesunyian yang begitu mengganggu kekalutan hati ini. Dan entah apalagi yang harus ku perbuat dalam menyikapi tragedi cinta yang tak kunjung usang ini. Yang aku lakukan semuanya salah di matamu karena aku ingin itu, saat aku berusaha untuk menutupi kau yang membuka, aku memulai kau yang mengakhiri, kau berjanji dan kau yang berlari,  lalu kau anggap apa aku ini?. Tetapi yang pasti saat aku pergi aku tak akan kembali. Aku akan buktikan padamu apa arti perpisahan sesungguhnya. Karena aku tak pernah terima diperlakukan seperti ini, terombang ambing oleh ombak cinta yang telah kau kendalikan. Aku bukan Pelayan-mu yang siap memberikan kepuasan yang kau inginkan dan aku bukan Raja-mu yang siap kau nikmati setiap waktu. Aku hanya ingin hubungan ini kejalan yang lebih adil. Kejalan yang kita inginkan bukan jalan dari aku dan bukan juga jalan dari kamu tapi jalan kita. Dan bukan pula bualan bualan manis yang tak nyata dari mulutmu yang membuat semua orang terkecoh dengan tipu muslihat itu. Kau mungkin bangga dengan apa yang telah kau lakukan tapi lihatlah aku, aku tidak pernah takut untuk melawanmu karena aku tau yang kau lakukan adalah salah. Salah untuk mencintai dan salah untuk dicintai.

Berikanlah aku waktu untuk membuktikan kalau semua ini nyata, kalau ini salah dan sudah terlalu jauh dan semakin jauh. Aku letakan ketulusan hati yang telah kita ikrarkan bersama. Untuk saling mencintai, mengasihi dan mengerti. Mencintai siang dan malam, mengasihi dalam suka dan duka, mengerti dalam kesedihan. Sampai kau mengubah semuanya menjadi arus yang kau inginkan bukan arus kita lagi. Sampai akhirnya kau tak pernah sadar, kalau kutukan jari itu menghilangkan keinginan ku untuk memilikimu.

Aku terpejam menemui bintang bintang yang membawa kejurang kepedihan. Yang hanya memberikan terang saat-saat malam hingga aku lupa akan hadirnya siang. And I can’t sleep. Kepedihan itulah yang aku rasakan sampai saat ini. Tak kan pernah rela terlupakan olehku, bintang mana yang telah membuatku jatuh kejurang kepedihan yang dahulu pernah ada. Akan tetapi, semua itu telah aku kunci dalam lemari perasaan yang teramat pedih yang aku sendiripun enggan membukanya.

Ingin sekali rasanya bicara dari hati kehati untuk tidak saling maki. Menyadarkannya dengan secarik harapan bahwa aku akan membahagiakannya. Membuat asmara ini abadi seperti sungai yang memberikan kehidupan kepada ikan. Menghirup udara segar dibawah pohon yang kita inginkan bagai burung yang sedang memadu kasih. Semuanya itu ada dalam benak ini tapi melihat tingkahmu, sifatmu, naifmu, dan matamu membuat semuanya terpecah berkeping-keping sampai aku bingung harus mulai dari mana?. Everything is gone and I lost my control. Hingga aku tak bisa berbuat apa-apa. Sampailah pada titik samar yang merisaukan hati tapi betapapun keras ombak itu menerjangku, aku akan tetap menjadi seperti apanya aku bukan menjadi boneka yang engkau inginkan. Kau begitu naif telah melewati gugusan pulau yang begitu dalam dan jauh untuk hal yang serupa ini dan hanya untuk merubah aku menjadi seperti yang kau mau ??? Haa’ semua itu belum sebanding dengan apa yang telah kulalui selama bertahun tahun hidup dalam cinta kelam yang kujalani, aku tau wanita seperti kamu itu enaknya diapain? Kamu yang egois, banyak omong, ngerepotin, enggak sabaran, dan selalu salah di mataku. Untuk hal sekecil apapun kau tak akan pernah menang. Karena kau telah membuat kesalahan besar yang tak akan tercampakan hingga hati kecilku pun tak mampu tuk bernyanyi. Yang kau butuhkan hanyalah seorang figur yang bisa mengerti keinginanmu dan harapanmu saja dan itu bukan aku. Kau hanya akan merasa puas dan senang apabila permainan yang telah kau susun dengan rapi, yang telah kau balut dengan ratusan drama evil-mu akan tetapi semuanya itu worst disisiku hingga membuat kau rendah dimataku dengan tingkahmu sendiri, yang berharap bisa menggoncang duniaku. Jangankan duniaku jari ini tak kan berpindah sampai kapanpun asal kau tau.

Setelah semuanya telah nampak di nirwanaku untuk menenggelamkanmu dalam penjara kasih yang terdalam, yang tak akan pernah muncul dipermukaan menjadikan semuanya akan berakhir dan tak akan bertepi sampai diri ini menutup mata. Keangkuhan yang kau miliki telah kau biarkan berjalan melalui jebakan nirwana kehidupan duniaku. Ketidakpastian yang kujalani dalam menjalin hubungan denganmu menjadikan seorang pribadi yang akan kuat menghapadi orang sepertimu. Terdiam dalam anganku untuk menggapai bintang yang tak pernah tercapai dalam malammu, sekali lagi mengajarkanku betapa butuh kesabaran yang tinggi dalam memendam keinginan kita. Tertinggal untuk sejenak melepaskan semuanya di tengah keributan deru ombak yang menerpakan airnya di tepian sehingga semuanya bersatupadu dengan batu, pair dan sekaligus berhamburan seperti layaknya kita sekarang 

October 3 2014

hari ini tanggal bagus untuk permulaan yang baru juga,, hehee
oh ya ada kabar gembira ini pastinya yang pertama untuk saya sendiri dulu karena the end of september tepatnya 30 september kemarin saya lulus seleksi pemilihan Tour Guide, hahahaa :D
Alhamdulillah :) Thanks to Allah saya lulus juga. sebenarnya saya belum tau pasi sih diterimanya karena saya emang mempunyai skill atau karena mereka kasian sama saya, hmm... Think hard dulu nih,, hehe
satu lagi nih saya tu suka banget dengerin lagu-lagu cover daripada aslinya. alasannya gak terlalu pasti tetapi ketika saya cari di youtube kedengarannya lebih ngena aja gitu dan lebih ok pastinnya. lagu pertama yang saya dengerin tu adalah Boyce Avenue-fix you yang dari Coldplay itu loh :D
dan sekarang lagi sibuk-sibuknya hunter untuk lagu-lagu yang cover'an, ;)
hmmm yang sekarang lagi enak didenger sih Maddi Janne, Tiffany Alvord, MattyBRaps, Chester See and kalo Indonesia kayak Aaron Ashab lah.. :D
ya kayaknya itu aja dulu untuk hari ini, next time I will share what I have,, hehe see youuu......

EPANDRI SUSANTO-11090001 NURDIANTO SALEH-12091032P

THE HISTORY OF LITERATURE, CULTURE, AND THE ARTS IN THE UNITED KINGDOM

British literature refers to literature associated with the United Kingdom, United Kingdom, Isle of Man and Channel Islands. This includes literatures from England, Northern Ireland, Scotland and Wales. By far the largest part of British literature has been written in the English language, with English literature developing into a global phenomenon, because of its use in the former colonies of Britain, including the USA. In addition the story of British literature involves writings in Anglo-Norman, Anglo-Saxon, Cornish, Guernésiais, Jèrriais, Latin, Manx, Scots, Scottish Gaelic, Welsh and other languages. Literature in Northern Ireland includes writings in English, Irish and Ulster Scots. Irish writers have played an important part in the development of literature in England and Scotland, but though the whole of Ireland was politically part of Britain before 1922, it can be controversial to describe Irish literature, other than from Northern Ireland, as British. Literature in the Celtic languages of the islands is the oldest surviving vernacular literature in Europe.

British identity

Definitions of British literature are bound up with historical shifts of British identity. Changing consciousness of English national identity, Scottish national identity, Welsh nationalism, and the effects of British imperialism have altered interpretations of how the literatures of the Isles have interacted. The impact of Irish nationalism, that led to the partition of the island of Ireland in 1921, means that literature of the Republic of Ireland is not considered to be British, although the identity of literature from Northern Ireland, as part of the literature of the United Kingdom, may fall within the overlapping identities of Irish and British literature, where "the naming of the territory has always been, in literary, geographical or historical contexts, a politically charged activity".

Welsh literature in English (previously called Anglo-Welsh literature) is the works written in the English language by Welsh writers, especially if their subject matter relates to Wales. It has been recognised as a distinctive entity only since the 20th century. The need for a separate identity for this kind of writing arose because of the parallel development of modern Welsh literature in the Welsh language.

The use of the label "Celtic fringe" as applied to non-English, or traditionally non-English-speaking, territories to marginalise these cultures has been analysed as a colonial attitude, and the literatures of Ireland, Scotland and Wales may be studied through the methodology of postcolonialism. However, Britain's legacy survives around the world, as a shared history of British presence and cultural influence in the Commonwealth of Nations has produced a substantial body of writing in English and many other languages.

Latin literature

Main article: Anglo-Latin literature

Chroniclers such as Bede, with his Historia ecclesiastica gentis Anglorum, and Gildas, with his De Excidio et Conquestu Britanniae, were figures in the development of indigenous Latin literature, mostly ecclesiastical, in the centuries following the withdrawal of the Roman Empire.

The Historia Brittonum composed in the 9th century is traditionally ascribed to Nennius. It is the earliest source which presents King Arthur as a historical figure, and is the source of several stories which were repeated and amplified by later authors.

Adomnán's most important work is the Vita Columbae, a hagiography of Columba, and the most important surviving work written in early medieval Scotland. It is a vital source for knowledge of the Picts, as well as an insight into the life of Iona Abbey and the early medieval Gaelic monk. The vita of Columba contains a story that has been interpreted as the first reference to the Loch Ness Monster.

Written just after or possibly contemporarily with Adomnán's Vita Columbae, the Vita Sancti Cuthberti is the first piece of Northumbrian Latin writing and the earliest piece of English Latin hagiography.

Latin continued in use as a language of learning long after the Reformation had established the vernaculars as liturgical languages for the élites. In Scotland, Latin as a literary language thrived into the 17th century as Scottish writers writing in Latin were able to engage with their audiences on a equal basis in a prestige language without feeling hampered by their less confident handling of English.

Early Celtic literature

For a comparatively small country, Ireland has made a large contribution to world literature in all its branches. The Irish literature that is best known outside the country is in English, but the Irish language also has the most significant body of written literature, both ancient and recent, in any Celtic language, in addition to a strong oral tradition of legends and poetry.

The Ulster Cycle written in the 12th century, is a body of medieval Irish heroic legends and sagas of the traditional heroes of the Ulaid in what is now eastern Ulster and northern Leinster, particularly counties Armagh, Down and Louth. The stories are written in Old and Middle Irish, mostly in prose, interspersed with occasional verse passages. The language of the earliest stories is dateable to the 8th century, and events and characters are referred to in poems dating to the 7th. 

In Medieval Welsh literature the period before 1100 is known as the period of Y Cynfeirdd ("The earliest poets") or Yr Hengerdd ("The old poetry"). It roughly dates from the birth of the Welsh language until the arrival of the Normans in Wales towards the end of the 11th century. Y Gododdin is a medieval Welsh poem consisting of a series of elegies to the men of the Britonnic kingdom of Gododdin and its allies who, according to the conventional interpretation, died fighting the Angles of Deira and Bernicia at a place named Catraeth in ca. AD 600. It is traditionally ascribed to the bard Aneirin, and survives only in one manuscript, known as the Book of Aneirin. The poem is recorded in a manuscript of the second half of the 13th century, and it has been dated to anywhere between the 7th and the early 11th centuries. The text is partly written in Middle Welsh orthography and partly in Old Welsh. The early date would place its oral composition to soon after the battle, presumably in the Hen Ogledd ("Old North") in what would have been the Cumbric variety of Brythonic. Others consider it the work of a poet in medieval Wales, composed in the 9th, 10th or 11th century. Even a 9th-century date would make it one of the oldest surviving Welsh works of poetry.

The stories of the Mabinogion appear in either or both of two Medieval Welsh manuscripts, the White Book of Rhydderch (Llyfr Gwyn Rhydderch) written ca. 1350, and the Red Book of Hergest (Llyfr Coch Hergest) written about 1382–1410, although texts or fragments of some of the tales have been preserved in earlier 13th century and later manuscripts. Scholars agree that the tales are older than the existing manuscripts, but disagree over just how much older.

Gaelic literature in Scotland includes a celebration, attributed to the Irish monk Adomnán, of the Pictish King Bridei's (671–93) victory over the Northumbrians at the Battle of Dun Nechtain (685). Pictish, the now extinct Brythonic language spoken in Scotland, has left no record of poetry, but poetry composed in Gaelic for Pictish kings is known. By the 9th century Gaelic speakers controlled Pictish territory and Gaelic was spoken throughout Scotland and used as a literary language. However, there was great cultural exchange between Scotland and Ireland, with Irish poets composing for Scottish or Pictish patrons, and Scottish poets composing for Irish patrons.

No Cornish literature survives from the Primitive Cornish period (c600-800 AD). The earliest written record of the Cornish language, dating from the 9th century, is a gloss in a Latin manuscript of the Consolation of Philosophy, which used the words ud rocashaas. The phrase means "it (the mind) hated the gloomy places".

Norse literature

From the 8th to the 15th centuries, Vikings and Norse settlers and their descendents colonised parts of what is now modern Scotland. Some Old Norse poetry survives relating to this period. The Orkneyinga saga (also called the History of the Earls of Orkney) is a historical narrative of the history of the Orkney Islands, from their capture by the Norwegian king in the ninth century onwards until about 1200. 20th century poet George Mackay Brown was influenced by the saga, notably for his 1973 novel Magnus. The Icelandic Njáls saga includes actions taking place in Orkney and Wales. Besides these Icelandic sagas a few examples, sometimes fragmentary, of Norse poetry composed in Scotland survive. Among the runic inscriptions at Maeshowe is a text identified as irregular verse. Scandinavian cultural contacts in the Danelaw also left legacies in literature. Höfuðlausn or the "Head's Ransom" is a skaldic poem attributed to Egill Skalla-Grímsson in praise of king Eirik Bloodaxe in the kingdom of Northumbria.

Old English literature 449–1066

Old English literature (or Anglo-Saxon literature) encompasses literature written in Old English (also called Anglo-Saxon) in Anglo-Saxon England, in the period after the settlement of the Saxons and other Germanic tribes in England after the withdrawal of the Romans until the Norman Conquest of 1066. These works include genres such as epic poetry, hagiography, sermons, Bible translations, legal works, chronicles, riddles, and others. In all there are about 400 surviving manuscripts from the period, a significant corpus of both popular interest and specialist research. 

 

Late medieval literature 1066-1500    

Latin literature circulated among the educated classes. Gerald of Wales's most distinguished works are those dealing with Wales and Ireland, with his late 12th century two books in Latin on his beloved Wales the most important: Itinerarium Cambriae and Descriptio Cambriae which tell us much about Welsh history and geography.

Following the Norman Conquest of 1066, the development of Anglo-Norman literature in the Anglo-Norman realm introduced literary trends from Continental Europe such as the chanson de geste. However, the indigenous development of Anglo-Norman literature was precocious in comparison to continental Oïl literature: Geoffrey Gaimar produced the earliest rhymed chronicle; Benedeit, the earliest adventure narrative inspired by Celtic sources; Jordan Fantosme, the earliest eyewitness historiography; Philippe de Thaun, the earliest scientific literature.

From the Renaissance to the Union of England and Scotland 1500-1707

The English Renaissance and the Renaissance in Scotland date from the late 15th century to the early 17th century. Italian literary influences arrived in Britain: the sonnet form was introduced into English by Thomas Wyatt in the early 16th century, and developed by Henry Howard, Earl of Surrey, (1516/1517 – 1547), who also introduced blank verse into England, with his translation of Virgil's Aeneid in c.1540. Chaucerian, classical and French literary language continued to influence Scots literature up until the Reformation, and Latin remained an important literary language in Scotland in the 17th century, long after its literary importance in England had waned. The Complaynt of Scotland shows the interplay of language and ideas between the kingdoms of Scotland and England in the years leading up to the 1603 Union of the Crowns. During the Jacobean debate on the Union, a tradition of prophetic literature going back to the Prophetiae Merlini was invoked. The Whole Prophesie of Scotland of 1603 treated Merlin's prophecies as authoritative. Sir William Alexander, writing in praise of King James, invoked the prophetic tradition and dated it to 300 years before the king's birth (the middle of the 13th century). This timing tied it to the Scottish writer, Thomas the Rhymer. The use of "Great Britain" as a title of the kingdom as united by James was considered to reference Brutus of Troy, of the Anglo-Welsh traditional foundation myth. A mythological consonance was seen by some at the time between what were different traditions. 

The Caroline, Interregnum and Restoration periods 1625–1689

 

Samuel Pepys, took the diary beyond mere business transaction notes, into the realm of the personal

The Metaphysical poets continued writing in this period. Both John Donne and George Herbert died after 1625, but there was a second generation of metaphysical poets, consisting of Andrew Marvell (1621–1678), Thomas Traherne (1636 or 1637–1674) and Henry Vaughan (1622–1695). Another important group of poets at this time were the Cavalier poets. They were an important group of writers, who came from the classes that supported King Charles I during the Wars of the Three Kingdoms (1639–51). (King Charles reigned from 1625 and was executed 1649). The best known of the Cavalier poets are Robert Herrick, Richard Lovelace, Thomas Carew, and Sir John Suckling. They "were not a formal group, but all were influenced" by Ben Jonson. Most of the Cavalier poets were courtiers, with notable exceptions. For example, Robert Herrick was not a courtier, but his style marks him as a Cavalier poet. Cavalier works make use of allegory and classical allusions, and are influence by Latin authors Horace, Cicero, and Ovid. 

Augustan age: 1689-1750

Augustan literature and Augustan prose

The late 17th, early 18th century (1689 -1750) in English literature is known as the Augustan Age. Writers at this time "greatly admired their Roman counterparts, imitated their works and frequently drew parallels between" contemporary world and the age of the Roman emperor Augustus (27 AD - BC 14) (see Augustan literature (ancient Rome) ). Some of the major writers in this period were John Dryden (1631-1700), Jonathan Swift (1667-1745), William Congreve, (1670-1729), Joseph Addison (1672-1719), Richard Steele (1672-1729), Alexander Pope (1688-1744), Henry Fielding (1707–54), Samuel Johnson (1709-84).

 

The rise of the novel

 

Daniel Defoe's 1719 castaway novel Robinson Crusoe, with Crusoe standing over Man Friday after freeing him from the cannibals

The English novel has generally been seen as beginning with Daniel Defoe's Robinson Crusoe (1719) and Moll Flanders (1722), though John Bunyan's The Pilgrim's Progress (1678) and Aphra Behn's, Oroonoko (1688) are also contenders, while earlier works such as Sir Thomas Malory's Morte d'Arthur, and even the "Prologue" to Geoffrey Chaucer's Canterbury Tales have been suggested. The rise of the novel as an important literary genre is generally associated with the growth of the middle class in England. Other major 18th century British novelists are Samuel Richardson (1689-1761), author of the epistolary novels Pamela, or Virtue Rewarded (1740) and Clarissa (1747-8); Henry Fielding (1707–54), who wrote Joseph Andrews (1742) and The History of Tom Jones, a Foundling (1749); and Fanny Burney (1752-1840), whose novels "were enjoyed and admired by Jane Austen," wrote Evelina (1778), Cecilia (1782) and Camilla (1796). 

 

Drama in the Augustan age

 

Although documented history of Irish theatre began at least as early as 1601, the earliest Irish dramatists of note were: William Congreve (1670-1729), one of the most interesting writers of Restoration comedies and author of The Way of the World (1700); late Restoration playwright, George Farquhar (?1677-1707), The Recruiting Officer (1706); as well as two of the most successful playwrights on the London stage in the 18th century, Oliver Goldsmith (?1730-74), She Stoops to Conquer (1773) and Richard Brinsley Sheridan (1751-1816), The School for Scandal (1777). Anglo-Irish drama in the 18th century also includes Charles Macklin (?1699-1797), and Arthur Murphy (1727-1805). 

 

Developments in poetry in the Augustan age

 

The most outstanding poet of the age is Alexander Pope (1688-1744), whose major works include: The Rape of the Lock (1712; enlarged in 1714); a translation of the Iliad (1715–20); a translation of the Odyssey (1725-6); The Dunciad (1728; 1743). Since his death, Pope has been in a constant state of re-evaluation. His high artifice, strict prosody, and, at times, the sheer cruelty of his satire were an object of derision for the Romantic poets, and it was not until the 1930s that his reputation was revived. Pope is now considered the dominant poetic voice of his century, a model of prosodic elegance, biting wit, and an enduring, demanding moral force. The Rape of the Lock and The Dunciad are masterpieces of the mock-epic genre. 

 

The roots of Romanticism: 1750-1798

 

Robert Burns inspired many vernacular writers across the Isles with works such as Auld Lang Syne, A Red, Red Rose and Halloween.

The second half of the 18th century is sometimes called the "Age of Johnson". Samuel Johnson (1709 - 1784), often referred to as Dr Johnson, was an English author who made lasting contributions to English literature as a poet, essayist, moralist, literary critic, biographer, editor and lexicographer. Johnson has been described as "arguably the most distinguished man of letters in English history".^] He is also the subject of "the most famous single work of biographical art in the whole of literature": James Boswell's Life of Samuel Johnson (1791). His early works include the poems "London" and "his most impressive poem" "The Vanity of Human Wishes" (1749). Both poems are modelled on Juvenal’s satires. After nine years of work, Johnson's A Dictionary of the English Language was published in 1755; it had a far-reaching effect on Modern English and has been described as "one of the greatest single achievements of scholarship." This work brought Johnson popularity and success. Until the completion of the Oxford English Dictionary 150 years later, Johnson's was viewed as the pre-eminent British dictionary. 

 

19th century literature

Romanticism 1798-1837     

 

William Blake is considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age

The poet, painter, and printmaker William Blake (1757-1827) was the first of the English Romantic poets. Largely disconnected from the major streams of the literature of the time, Blake was generally unrecognised during his lifetime, but is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. Considered mad by contemporaries for his idiosyncratic views, Blake is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. Among his most important works are Songs of Innocence (1789) and Songs of Experience (1794) "and profound and difficult 'prophecies' " such as Visions of the Daughters of Albion (1793), The First Book of Urizen (1794), Milton (1804–?11), and "Jerusalem: the Emanation of the Giant Albion" (1804–?20).

  The second generation of Romantic poets include George Gordon Byron. They flouted social convention and often used poetry as a political voice. Amongst Lord Byron's best-known works are the brief poems "She Walks in Beauty" and "So, we'll go no more a roving'", in addition to narrative poems Childe Harold's Pilgrimage and Don Juan. Another key poet of the Romantic movement was John Keats, whose poems such as "Ode to a Nightingale" expound on his aesthetic theory of negative capability, and remain among the most celebrated by any author of the period. "To Autumn" is the final work in a group of poems known as "Keats's 1819 odes", poems characterized by sensual imagery. In 1882, Swinburne wrote in the Encyclopædia Britannica that "the Ode to a Nightingale, is one of the final masterpieces of human work in all time and for all ages". More recently critic Helen Vendler stated the odes "are a group of works in which the English language find ultimate embodiment".

THE ARTS

 

Hollywood films with a British dimension have had enormous worldwide commercial success. Many of the highest-grossing films worldwide of all time have a British historical, cultural or creative theme. Films based on British historical events; RMS Titanic, Piracy in the Caribbean, Mutiny on the Bounty, The Great Escape, historical people; William Wallace, Lawrence of Arabia, King Arthur, Elizabeth I, British stories; The Lord of the Rings, Harry Potter, James Bond, The Chronicles of Narnia, Sherlock Holmes, Frankenstein, A Christmas Carol, Charlie and the Chocolate Factory, Treasure Island, The War of the Worlds among many others, while British video game Tomb Raider featuring English archaeologist Lara Croft, has been made into feature films. British influence can also be seen with the 'English Cycle' of Disney animated films, which feature Alice in Wonderland, Peter Pan, The Jungle Book, Robin Hood, The Hundred and One Dalmatians, The Sword in the Stone, The Rescuers and Winnie the Pooh.